2000dreams

Monday, January 5, 2015

News: ISLE 4224 just got selected by StigmArt10 2015 VideoBiennial Edition VIDEOFOCUS !

A full 7-page spread of interview coming up soon in the following month!

"ISLE 4224 has been selected for the Biennial Edition of VIDEOFOCUS, Stigmart10 Videobiennale, our special issue featuring videoartists and independent filmmakers.
We have been really impressed with your video series and we appreciate the way you explore the boundaries between memory and perception, and Your art is rich of references: your visual imagery seems to be close to Sergei Paradjanov's rarefied atmospheres and Romeo Castellucci's theatre. "

-StigmArt-



Friday, December 19, 2014

海島4224號系列 ISLE4224 Series

(ENGLISH BELOW)
像是失憶的孤島,我們一個個地環繞著不同面像的自我,跳著無止盡轉圈華麗又

飄渺的華爾茲

黑色深影緩緩燃燒起 ,  白色仍停留在沉默觀坐的想像海洋波濤中

物為物, 形體為幻影, 死亡重生真真假假的一支透視顯微鏡

或逐漸驅消或徐徐找回靈魂最深之記憶體,夢境的幽靈、精靈,自然生命的循環

此次創作屬於 "微:Homeland_Dreambody" 計劃系列。

呈現型式包括三部分:  裝置、表演、錄像。

也經由三種不同的煤材來呼應時間性(過去-現在-未來)的不同和隱性的環環交扣。

*此創作裝置2014花蓮市藝托邦 (藝術一條街)
拍攝與美國藝術家John Geary的裝置作品結合及互動於藝托邦現場演出實况*

ISLE 4224 Series Basic Concept:

Like a lonley island of amnesia, each of us circles around the different selves, dancing 
endlessly, twirling the gorgeous and ethereal waltz.. 
Deep shadows of BLACK slowly burning its flame, while WHITE still stay in that silent sitting amidst a imaginary oceanic waves. 
Matter as substance, form as phantom, 
death-rebirth/reality-surreality of dubious humanity through a microscopic perspective. 
Gradually erasing or gently finding the deepest memories buried in the body, ghost dreams, spirit elves, nature life cycles thus appear one by one through familiar and unrecognizable-nameless songs, through fragments of storytelling, through movements to dance. 

The creative work belong to “MICRO: Homeland_Dreambody” series. The basis of developing work include three parts: Workshops Shooting videos Live Performance & exhibition The three part echoes the different timeline (past-present-future) of events and the invisible stories told circling infinitely as a mobius stripe.






Wednesday, November 5, 2014

10/4/2014 DINNER FOR TWO 兩人的晚餐

ONSITE Festival Closing Performance, Taipei, Taiwan  混種閉幕演出 

作品於2014在新加坡三個月的研究計劃中發展出來。 “兩人的晚餐”除了經由一對男女來探討人類行為舉止,也探討在現代電子發達的社會中人們距離和親密間隱藏的心理分微。總體而言,這是一個晚餐盛宴,一個在各種聲音中互動的聲響叢林,現場發生的事情超出平時表面上日常生活現象但反映我們心靈深處體驗。演出用現場傳感器(sensor),歌,舞蹈動作,電子噪音,戲劇,和 live voice stream mix etc.做及時的創作演出。 

The fairly new artist duo D&D had already made their mark in March 2014 at ICAS

(Institute of Contemporary Art Singapore) with their live performance, live mixing sounds,

movements, and vocalizations. The first D stands for Dennis Tan (Sg) who is a sound

installation artist and experimental musician. Dennis learnt his crafts in Germany for over

10 years, and have exhibited and performed in Europe and Asia in the last years. He will

incorporate his very own unique creation DIY Electronics in Dinner For Two. The other D

stands for Delphine Mei (Tw) who is a mixed­media artist as well as experimental

performer. Living abroad in Europe and USA for over 20 years and still performing

internationally, she has developed the concept, movements, and vocalizations of lucid

languages together with Dennis Tan during her recent 3­month residency in Singapore

this year. "Dinner For Two" not only explores the nature of human behaviors but also

investigates the underlying psychology between distance and intimacy in our modern

time. Overall, it is a dinner feast, an interplay admist the forest of sounds, voices, songs,

movements, theaters, live happenings that transit beyond your usual daily life.
















ONSITE Festival, Taipei, Taiwan  混種閉幕演出 

video

For more information:
http://onsite-tw.tumblr.com/post/95171855106/10-4-dennis-tan-x-delphine-mei

Sunday, August 3, 2014

Exhibition Opening Performance Taitung 台東開幕演出

"沒有土地的風景", 潘小雪個展-開幕演出和影像7/27/2014, 台東都蘭糖廠二倉
"沒有土地的風景,沒有故事的歷史,沒有謬思的美術館,沒有人民的國家" 

"Landscape without Land", Exhibition Opening Performance & Video,  Dulan Artist Space Second Foundry, Taitung, Taiwan, 7/27/2014
"landscape without land,history without story,museum without muse,republic without people!"



Monday, July 7, 2014

"Of subversion, staging, performance, and camouflage the fakes. The personages move as "semiotic snipers" in the jungle of signs. Their conviction that the best Subversion is to distort codes, instead of destroying them" 
Roland Barthes

顛覆,播放,演出, 和隱秘假象。在標誌的叢林中把人物移動作為“符號狙擊手”。他們深信最好的顛覆就是“歪曲代碼,而不是摧毀假象”   
羅蘭巴特

Dinner for Two (ICAS Singapore)

12-03-2014
Within the frame of Sound Exhibition "Altitude and Latitude"
ICAS (Institute of Contemporary Arts Singapore) , LaSalle, Singapore
https://www.lasalle.edu.sg/ICAS/About-ICAS

D&D: 
Delphine Mei , Taiwan 
Performance Concept / Voice / Movement & Percussion/ Text
&
Dennis Tan, Singapore 
Performance Concept/ Sound / DIY Electronics & Live Mix/Voice
30-45 minute live performance

Photo Credit
ICAS Live Performance by Jason Lee
DIY Electronics by Dennis Tan

















Tuesday, June 24, 2014

2014.06.07 ~ 2014.06.29【聆聽零-微塵有聲】【Nos Souffle d’Echo】

聆聽零 – 微塵有聲】 - 詩歌行動裝置靜態展覽

【Nos Souffle d’Echo】+ CONCERT/ PERFORMANCE  

ART + ART EXCHANGE 

表演者:
梅心怡 (行為表演), 黃耀廷 (行為表演), 劉芳一 (現場音樂)

動態系列計畫內容 

以 多元美學,現場參與性質, 與開放觀眾對話 ; 邀約台灣當代藝術家 , 不論在地或海外遊子, 對國內當代藝術,  與當代社會生活共生的人文生態現況 ; 以簡約樸質方式, 透過現場活化的藝術實踐, 不論是感性抒發, 或智性探索, 共同進行現場審視, 紀錄, 與關懷 !
希望本著春秋戰國思想視野 豐富的東方哲學人文傳承 積極實踐莊周以明內涵,將藝術智慧實踐於當代民主自由社會生活的日常道理。
一系列行動藝術即興音樂會, 將以現場行動, 與對話座談方式,  如感性或 智性, 如正版與拓版方式, 相互顯現.三個次標題作為現場出發的力點 :關於人/ 關於藝術生存與生存藝術/ 關於全球化中地球儀時空的溫室效應。

合辦單位台北國際藝術村寶藏巖

Performer:
Yoshua Yoshiyama (Live Music) , Tony Huang  (Performance art), Delphine Mei (Performance Art)

"Humanistic perspective on contemporary Poetry Arts-Action Practice"

By multiple aesthetics, participation, open dialogue to the audience, invite the Taiwan contemporary artist, both in land and overseas, their art practice in contemporary society ,as the cultural and ecological living way. Through live art practices and with simplicity aesthetic, whether it is emotional expression, or intellectual exploration, by art practice with the review in-situ, record, and care!

Go through the rich perspective of ideological and humanistic heritage of Oriental philosophy of ZHUANG Zhou, the contemporary art practice respond alive in our democratic society.
Both emotional or intellectual emerge, different improvisation concerts, performance art, and the open dialogue exchange with audience as art talk, will be proposed.

Temporarily title: "Humanistic perspective on contemporary Poetry Arts-Action Practice
It will be departing on three times: human being / artist survival and living arts/about the art on globalization with time and space in the greenhouse effect.

Series concerts, live performance will be proposed in June and October during the exhibition, at three or four weekend, in Taipei Treasure Hill Artist Village as co-organizer of ART TALK 



































































































































































DADADAiiihttp://dadadaiii.blogspot.tw/